by Ken Pattern, the December image in the 1985 Vancity Calendar. Here we have my favourite print from the series, featuring skiing atop the Hotel Vancouver # 3. Ken’s style is meticulous and well suited to the medium of stone lithography, a most demanding art form. It’s also exceedingly humorous, as his recent series on the Marina Bay Sands development
in Singapore attests
About the stone lithography process, his website
gives an introduction to the process, as does the calendar:
In this process, Ken Pattern creates the prints by first drawing an image on a flat piece of limestone. He then brushes a solution of gum arabic and nitric acid over the stone’s surface; the resulting chemical reaction secures the image onto the stone.
To print the image, Ken rolls an oil-based ink onto a rubber roller, which he then rolls onto the stone. Repeating this inking process several times, he uses a sponge between each pass of the roller to keep the stone damp. With the image fully inked, Ken places a piece of paper on the stone, cranking the paper beneath the hard pressure bar to transfer the ink from the stone.
Each colour in the image requires a separate drawing and a separate printing. After each colour is printed, Ken grinds the image off the stone with grit, and then draws the next colour on the stone. Finally, with the printing finished, Ken edits the prints. Only those meeting his standards are included in the edition, and he ten signs and numbers them.
To truly appreciate this work, you must see one of these prints in person. Start by looking at the Burnaby Art Gallery
, or perhaps the Malaspina Printmakers Society
where these prints were produced; they may still have one or two available! Happy Christmas everyone!