The Culture Crawl, 2013, part 2! Featured here are Lonely Only by Jon Shaw, The Drive by Lawrence Lowe, Ovaltine by Lori Motokado, Transformer 167 E. Pender by Nadia Baker, and Early Morning Streetscape by Suzy Arbor. See you there this weekend!
The Culture Crawl, 2013, coming this weekend! Featured here are Bright Waterfront by Richard Tetrault, Jericho Beach by Taralee Guild, Chinatown Street by Dave Denson, Drive Dusk by Penny Eisenberg, and Parker Street Warehouses by Jan Kasparec. There is a preview Thursday evening at participating studios; the Culture Crawl begins in earnest on Friday, November 15 and runs to November 17.
View of Sleeping Beauty from the Windows of the Canadian Pacific Railway Hotel, Vancouver, a watercolour by Agnes Gardner King (1857-1929), circa May to June, 1912. This image now appears online in the Library and Archives Canada, Acc. No. 1990-312-21.
Vancouver, a triptych from 2012 submitted by Julia Casol. She writes:
Cities are unique worlds of their own within larger urban areas. They are thriving, dense, rhizomatic centers, and everyone and everything is connected into one giant network. This triptych is a surreal representation of the city: resembling an organic form of a neuron, I emphasize the network and density present in Vancouver with the urban nucleus and the nexus of roadways, cables, and electrical wires.
Towards Stanley Park, a title I’ve given this watercolour painting by Gordon Kit Thorne, CPE, CSPE, FCA. It was Tom Carter who pointed out to me the building in the foreground is Vancouver’s former Customs and Immigration building, previously located where the Convention Centre is now. The painting appears to say “From the Marine Building” in Gordon’s handwriting in the bottom left, along with the date July 13, 1957, and, ehr, 1956 too (it’s got to be one of those two dates!). If you compare the view from the VPL photo 6193 also shown here, you can actually see the shadow of the Marine Building!
A linocut of the Woodwards W printed in letterpress by DistrictDogsDesigns, via Instagram. Oh, btw, the W was recently returned to its place AGAIN last month. Not sure what maintenance was required, but I captured the return on both film and photo.
Vancouver, Gateway to the Orient, a bicycle registration decal. On April 22, 1963, Bryan registered his bicycle, but for some reason or other, the bike vanished and the decal was never applied. Now, 50 years later, I present to you bicycle registration number 14414.
At the time, bicycle registration was 50¢, subject to renewal each year. If you sold or gave away your bicycle, you were to mail the certificate to the bike registration depot on 2512 Yukon Street. If your bike was lost or stolen, you would immediately report your bike to the police with this certificate. Given that these registration decals were more like temporary tattoos, I can’t imagine they were very effective.
Today, the VPD recommends you engrave your bike with your DL or provincial ID number with their Log it or Lose it campaign. Alternatively, I believe it was the Kryptonite lock company who created Bikeshepherd.org and sister site Bikerevolution.ca which offer an updated version of bike registration. You can register online for free in their global bike database. You can also purchase 3 tamper-resistant decals for $14.95 which contain QR codes. These codes can rapidly assist anyone linking a found bike to an online directory of missing bikes.
What does the future hold? Well, there’s a whole host of new smart bike tools emerging as we speak; I just found these three on Kickstarter for instance. Oh, and another one! We haven’t quite gotten to the stage where lost bikes will automatically return themselves to their owners, but we’re getting closer.
The H.R. MacMillan Planetarium, a pen & ink with watercolour submitted by Brian Hebb. Brian writes: “The H.R. MacMillan Planetarium was brand-new when I lived in Vancouver in 1968. Now, this great building is the Space Centre and the Museum of Vancouver. The big crab sculpture sits in a fountain outside the Space Centre/Museum of Vancouver. It’s a wonderful statue of shinny stainless steel sculpted by George Norris for Canada’s centennial year. I painted it yellow to depict the golden hue it exudes in the sunshine.”
Kitsilano illustrated by Ken Steacy, a special ghoulish and dystopian Halloween edition! This illustration was created for the first issue of Vancouver Magazine in the new millennium, January/February 2000. This was the second issue of the magazine that Douglas Coupland guest edited. There were four illustrations that accompanied an article titled: Vancouver’s future - will it be beauty and brains or dumb and scum? Most likely a mixture. Four illustrators report back. Ken tells me his contribution was the most dystopic; the caption read:
Kitsilano, Cornwall and Yew. March 47, 2048, 853 GTX. Complete ecological and political failure: melted ice caps; a botched hepatitis-K vaccine; mass extinction. Moral Cleansing squads sent by a fiat U.S. government invade Kits to snuff out marijuana smokers and render extinct Vancouver’s 10-storey-high “Superpot” trees - a geneticists’ blend of cannabis, timber bamboo, Douglas fir and bermuda grass - that have overrun virtually all other vegetation.
Vancouver from Little Mountain, Peter Ewart’s contribution to the Expo 86 poster collection. Thanks to Christopher for sending me this image in the comments a while back! Since then, I’ve made contact with Peter Ewart’s daughter, who provided me with the flanking two images that made up this panoramic tryptic view of Vancouver. I’ve stitched together the three images to give an impression of the complete image. A lovely scene from a lovely vantage point in the city!
Vancouver, BC, a classic pennant depicted on this hand carved linocut print by District Dogs Designs of North Vancouver. As members of the Vancouver Letterpress League, a local collective of creative letterpress enthusiasts, they were out in force at the Alcuin Society Wayzgoose earlier this month. There’s more Vancouver love in their portfolio as this photo attests, so be sure to check out their wares; available at Shop Cocoon at 3345 Cambie Street, Vancouver, BC.
Comic fans at Canada Place, a custom comic created for use in the VanCAF 2013 VIP art books by Sam Logan. VanCAF took place back in May of this year, but with all the images emerging from NY Comic Con, and with fall on the horizon, I thought it would make an appropriate post.
Vancouver sky-line 1995: before the wall! by Roger Kemble.
Alliance Grain Terminal (formerly United Grain Growers) watercolour and graphite by Dan Parke, 1989.
A whole new set of electrical box wraps have appeared in downtown Vancouver. The collaboration with ECUAD and the Downtown Business Improvement Association began in 2011, and this is version 2.0. I see Amy Clare Learmonth produced the first illustration, and perhaps a follower can identify who illustrated the other two? More to come I’m sure! Images via Brie Weir on Facebook.